Spectres of a dictatorship: Law's limit concepts in Lino Brocka's Orapronobis

Abstract

This article reads Filipino director Lino Brocka's film Orapronobis (1989) as a commentary on the 1987 Philippine Constitution, a post-dictatorship document which the director helped draft as a member of the Philippine Constitutional Commission. Using a 'law and film' approach, the article argues that the film visualises law's limit concepts such as the state of exception, hostis generis humani, and constituent power. The film depicts the failure of words to control the political world that results in a dystopian constitutional order where human rights monsters and revolutionaries contend. Through an exploration of law's limit concepts, Brocka's Orapronobis represents the limits of Philippine constitutionalism.