RAP - affective rhymes of the periphery: Reflections in the social-historical perspective

Abstract

Considering the affectionate dimension as the constituent of act and of human thought, and recognizing that his presence is a constant one in the Rap, this article seeks to investigate like the affection is espress in the music of four groups of Rap national. Starting from the analysis of the music, we can consider that these express the resulting experiences of a social order based on the perverse social inclusion. There are instants in that to tonic is in the feeling of the shame, blame, humiliation, sorrow, revolt and fear that devastates the inhabitants of the periphery. In compensation, there is proposals to face of this condition, expressing the importance of the union, fraternity, humility, hope, love, joy and solidarity. Like this, in these songs, the so much express affection the denunciation of the ethical-political suffering, as the possibility of potency the action of the subject for the overcoming of the condition of human suffering, indicating the song, specially the Rap, like important theme in the comprehension psychosocial of the subject in contexts of social exclusion.