Abstract
Coinciding with the outbreak of World War I, Dada was originally perceived as a protest against bourgeois nationalism and colonialism in Europe and North America. Dadaists accused the interests of these groups of fueling the war through their influence on cultural and intellectual conformity. Dada, in its essence, was a form of artistic expression that sought to exist outside of those barriers. As artists, Dadaists sought to reject reason and logic and embrace irrationality and chaos. This was in direct protest to the natural order of capitalist societies which they considered representative of bourgeois culture and repression.
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Maddern, S. W. (2009). Dada. In The International Encyclopedia of Revolution and Protest: 1500 to the Present (pp. 1–2). wiley. https://doi.org/10.5771/1869-7720-2024-11-058-1
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