The argument on the musical album as an organising principle against the commercial song's popularity is one of the keys to understand the functioning of the popular music market these days, and its ideological transposition to artistic creativity concepts. The new modes of music consumption are changing the messages' contents and they are introducing new questions on the subject: do people still buy full albums and listen to them as a whole? What role does the short form-the pop song-play in the current consumption practices? © 2013 UNED.
CITATION STYLE
Abeillé, C. (2013). Las formas musicales en la era digital: La crisis del álbum como principio organizador y la nueva función social de la canción. Signa, (22), 185–204. https://doi.org/10.5944/signa.vol22.2013.6349
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