O Sensível Negro: rotas de fuga para performances

Abstract

Resumo: O artigo forja o princípio da fuga para pensar as poéticas do desaparecimento do corpo que encontram, no que o autor denomina de performance fugitiva, uma maneira de tornar vivos os modos de existência, os quais seriam destinados, pelo futurismo reprodutivo da normalização estética, ao desaparecimento e, consequentemente, à morte. Em diálogo com os Black Studies, a crítica anticolonial e um pensamento próprio sobre o campo sensível, o artigo trama os fios que expõem os programas de reteorização, representação, abstração e performance sob o tráfego do devir-negro das artes.Abstract: The article forges the principle of escape to think of the poetics of the body disappearance that encounter, in what the author calls fugitive performance, a way of making alive the modes of existence, which would be destined, by the reproductive futurism of the esthetical norm, to disappear and, consequently, to die. In a dialogue with Black Studies, anti-colonial criticism and my own thought on the sensitive field, the article traces the threads that expose the programs of re-theorization, representation, abstraction and performance underlying the traffic of the becoming-black in the arts.Résumé: L’article décrit le principe d’évasion pour réfléchir à la poésie qui se manifeste dans la disparition du corps qui trouve, dans ce que l’auteur appelle performance fugitive, une manière de rendre vivants les modes d’existence qui seraient destinés, par le futurisme reproductif de la norme esthétique, à la disparition (donc à la mort). Dans un dialogue avec les Black Studies, la critique anticoloniale et la réflexion sur le domaine sensible, l’article retrace les filières qui exposent les programmes de re-théorisation, de représentation, d’abstraction et de performance sous le trafic des arts noirs.