The Humanistic Process and Spatial Practice of Chinese Zhenshan 鎮山 Worship

Abstract

The “Zhenshan” 鎮山 (which means a mountain that guards a certain territory) system is based on the traditional Chinese view of nature, which formed and developed through a long period of Confucian humanistic construction. It is the typical representation of China’s nature-oriented worship space, and it has unique spatial order and spatial significance in the world’s sacred mountain worship. The excavation of the spatial characteristics of Zhenshan worship and its network of humanistic meanings is an important part of research that aims to discover the traditional Chinese values of nature, religious views, and Chinese worship space. Based on the analysis of graphic historical materials and a digital chronicle literature review, this paper quantitatively analyzes the historical information of Zhenshan and summarizes the process of change from the birth of the concept of Zhenshan in the Zhou dynasty to the formation of the sacrificial system in the Han dynasty and its gradual localization after the Tang and Song dynasties with an analysis of its spatial pattern and characteristics of worship. The results show that Zhenshan is one of the typical cultural symbols of the transformation of Chinese mountain worship into the unity of government and religion. And it is a typical product of Confucianism, in which the worship of nature in China is integrated into the political system, and its worship space is rooted in the national, regional, and urban spaces at multiple levels. The Zhenshan system, in the course of its dynamic development, has formed two types of worship space: temple sacrificial and metaphorical constraint, constructing a Chinese worship space based on the order of nature, which is distinctly different from the inward-looking religious space of the West and the sacred mountain worship space formed around the religion of the “supreme god”.