The appropriating subject: Cultural appreciation, property and entitlement

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Abstract

What is cultural ‘appropriation’? What is cultural ‘appreciation’? Whatever the complex answer to this question, cultural appropriation is commonly defined as ‘the taking of something produced by members of one culture by members of another’ (Young 2005: 136), whilst appreciation is typically understood as mere ‘exploration’: ‘Appreciation explores whatever is there’. (Gracyk 2007: 112). These provisional definitions suggest that there is an in-principle distinction between the two concepts that presupposes the following: what is appreciated is already available; what is appropriated was, prior to its being taken, not already there or available. Moreover, perhaps appreciation, when contrasted to appropriation, is unproblematic precisely due to this basic difference. In this paper, we argue that the exclusive disjunction – appropriation or appreciation – rests on a false distinction between the two. We also show that this distinction presupposes a false normative principle that to the extent that x is appreciation rather than appropriation, then x is not – relevant to this issue – a wrong. Against these presuppositions, we defend the view that appropriation is already built into appreciation. This does not mean that we cannot ask questions of appreciation, but that questions of appreciation do not preclude the problematics of appropriation.

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Cattien, J., & Stopford, R. J. (2023). The appropriating subject: Cultural appreciation, property and entitlement. Philosophy and Social Criticism, 49(9), 1061–1078. https://doi.org/10.1177/01914537211059515

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