Musical Source Separation: An Introduction

99Citations
Citations of this article
84Readers
Mendeley users who have this article in their library.
Get full text

Abstract

Many people listen to recorded music as part of their everyday lives, e.g., from radio or TV programs, compact discs, downloads, or, increasingly, online streaming services. Sometimes we might want to remix the balance within the music, perhaps to make the vocals louder or to suppress an unwanted sound, or we might want to upmix a two-channel stereo recording to a 5.1-channel surround sound system. We might also want to change the spatial location of a musical instrument within the mix. All of these applications are relatively straightforward, provided we have access to separate sound channels (stems) for each musical audio object.

Cite

CITATION STYLE

APA

Cano, E., Fitzgerald, D., Liutkus, A., Plumbley, M. D., & Stoter, F. R. (2019). Musical Source Separation: An Introduction. IEEE Signal Processing Magazine, 36(1), 31–40. https://doi.org/10.1109/MSP.2018.2874719

Register to see more suggestions

Mendeley helps you to discover research relevant for your work.

Already have an account?

Save time finding and organizing research with Mendeley

Sign up for free