Abstract
In light of the increased commercial awareness of fangirl culture in the last decade, this article critically analyses three books written by prominent woman music and culture journalists: Fangirls by Hannah Ewens (2019), Larger Than Life by Maria Sherman (2020), and Everything I Need I Get From You by Kaitlyn Tiffany (2022). Examining book content as well as promotional author interviews in the music press, I explore themes of legitimacy, emotionality, and academic capital, and consider how authors re-position both fangirls and themselves as “knowledgeable” within participatory music culture.
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Williams, J. (2024). Screaming, Crying, Writing Up: Literary Music Journalism Books as a Legitimization of Contemporary Fangirl Practices. Popular Music and Society, 47(2), 248–266. https://doi.org/10.1080/03007766.2024.2320597
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