Disrupting Carceral Narratives: Race, Rape, and the Archives

Abstract

Using critical archival studies as a methodological frame, this paper applies theories of the carceral archive to two historic legal cases: the Ala Moana Boys and the Central Park Five. Through these two cases I demonstrate that engaging the three primary underpinnings of the carceral archive - documentary records, narrative construction, and Foucauldian conceptions of "the carceral"- can critically expose, complicate, and unsettle carceral narratives, providing a new theoretical framework for troubling what Nigerian author Chimamanda Adichie calls "the danger of a single story"in the historical record. Finally, I argue that it is through disrupting carceral narratives and centering more liberatory counter-narratives that archives might envision and promote themselves as sites replete with emancipatory impulses and ripe with liberatory potential.