Abstract
This paper critically compares the reconfiguration of the concept of ‘bromance’ within the cultural and social contexts of Japan, South Korea, and China. Through a multilingual literature review, critical discourse analysis, and participant observation, it analyses the dynamics of intentional ‘de-queering’ by media and creators and ‘re-queering’ by fans surrounding cultural works depicting male relationships in the three countries. It reveals how media and fans simultaneously reconstruct ‘bromance’ as a queer possibility while bleaching its homosexual characteristics, thereby providing safe representations conforming to societal norms. By examining discourses surrounding ‘bromance’ and/in Boys’ Love (BL) and Danmei, this research illuminates the complex intersections of cultural practices and gender/sexuality discourses within East Asian nations. It presents both shared issues and differences across Japan, South Korea, and China, offering a critical perspective on their ambiguity and political nature.
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CITATION STYLE
Shimauchi, S., Kim, H. J., & Zhou, M. E. (2026). Between de-queering and re-queering: Transfiguring ‘bromance’ as a continuum of Boys’ Love in East Asia. International Journal of Cultural Studies, 29(4), 678–697. https://doi.org/10.1177/13678779261429537
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