A imagem, o som e a fúria: A representação da violência no documentário brasileiro

1Citations
Citations of this article
9Readers
Mendeley users who have this article in their library.

Abstract

In the last 30 years, urban violence in Brazil has reached levels that had never been seen before. The theme, which has been approached by several sectors of society, has not been ignored by the Brazilian cinema either. This article aims to discuss some issues brought up by contemporary Brazilian documentaries on this complex datum of our reality. The following films have been chosen as objects of analysis: News from a personal war (Notícias de uma guerra particular, João Moreira, Salles and Kátia Lund - 1998/1999), Bus 174 Ǒnibus 174, José Padilha - 2002), Justice (Justiça, Maria Augusta Ramos - 2004) and Falcon: boys of the drug trade (Falcão: meninos do tráfico, MV Bill and Celso Athayde - 2006). These films expose the impact of violence on Brazilian society from different angles: the illegal drug trade and its effects on the people directly or indirectly involved with it (News from a personal war and Falcon: boys of the drug trade); the Brazilian criminal justice and its characters: lawyers, judges, the defendants and their relatives (Justice); and violence as an example of uprootedness (Bus 174).

Cite

CITATION STYLE

APA

Ramos, P. R. (2007). A imagem, o som e a fúria: A representação da violência no documentário brasileiro. Estudos Avancados, 21(61), 221–239. https://doi.org/10.1590/s0103-40142007000300015

Register to see more suggestions

Mendeley helps you to discover research relevant for your work.

Already have an account?

Save time finding and organizing research with Mendeley

Sign up for free