Abstract
In recent years, many wa-daiko (Japanese drums) troupes have been appearing in all parts of Japan. The wa-daiko has come into vogue especially in peripheral regions where depopulation and aging have reached a serious degree. The boom should be regarded as folklorism, relating to the concept of the German Volkskunde, rather than a part of popular culture in modern or post-modern Japan. The wa-daiko groups often insist on strong ties with the scenery, history and peasant traditions of the home town and village. They are eager to be placed as an equivalent to or substitute for the traditional folkloric performing art. In this article, I analyze the process in which the wa-daiko performances are invented and acquire meanings in a local context. My discussion is based upon the survey of the forty-one troupes in Nagasaki Prefecture which took part in the Shichoson Day (Cities, Towns and Villages Day) of the Journey Exposition in Nagasaki in 1990. © 1994, The Human Geographical Society of Japan. All rights reserved.
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Yagi, Y. (1994). The drum troupe boom as folklorism. Japanese Journal of Human Geography, 46(6), 581–603. https://doi.org/10.4200/jjhg1948.46.581
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