A proposition for a hypothetical environment in which intangible multi-sensory events can be experienced as if in a museum. This museum of the imagination displays various sounding devices and listening events, all of which are footnoted by ancillary theoretical, conceptual and anecdotal material from the author’s sound work practice and research between 1971 and the present.
CITATION STYLE
Toop, D. (2012). Sounding the Object: a timebase archive. Journal of Conservation and Museum Studies, 10(1). https://doi.org/10.5334/jcms.1011203
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