Troy Story: The Ketton Mosaic, Aeschylus, and Greek Mythography in Late Roman Britain

Abstract

The Ketton Mosaic depicts the duel between Achilles and Hector, the dragging of Hector’s body and its ransom. Despite initial associations with the Iliad in the press, this article demonstrates that the Ketton mosaic does not illustrate scenes from Homer but an alternative variant of the narrative which originated with Aeschylus and remained popular in Late Antiquity. The composition also reveals its debt to a pattern repertoire shared by artists working in media such as painted pottery, coin dies and silverware, which had been circulating in the ancient Mediterranean for many centuries. Through its textual and visual allusions, the Ketton mosaic makes a strong case for the engagement of fourthcentury Roman Britain with the cultural currency of the wider empire.