Abstract
In the archaeology of the Canary Islands (Spain), there are many studies based on the usage of new technologies to contribute to the identification and description of rock art engravings through high-resolution digital models (Martín, 2005; Martín, Velasco, González & Ramírez, 2007; Senén & Cuenca, 2016; Navarro & Cancel, 2019). This paper is supported by these documentation techniques and digital analysis in order to deeply analyse the characterization of the damaged rock art station Casa del Samarín (House of Samarín), or Tagoro del Rey, in Los Llanos de Ifara, south of the island of Tenerife (Fig. 1). Twenty-one panels conserved in situ were documented (Fig. 6). Geometric-linear, geometric with an oval and rectangular trend and figurative ones can be distinguished. The blocks1 that compose the engravings station belong to a rocky basalt outcrop, to which other free-standing blocks are attached, forming a circle. The shape that describes this set of blocks is defined as a "cabin" or circular-shaped structure.
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Fuentes-Porto, A., García-Ávila, C., & Marrero-Salas, E. (2021). House Of Samarin, A Damaged Rock Carving Station. Documentation, Analysis And Diagnosis In Los Llanos De Ifara, Granadilla, Tenerife. Virtual Archaeology Review, 12(24), 99–114. https://doi.org/10.4995/VAR.2021.13810
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