Abstract
Scenic values, industrial traces and artistic heritage are intertwined in a continuous space. IndustrialHeritage has acquired a meaning beyond the aesthetic or testimonial to become a spatial or temporalcore face of forgetfulness and loss of place memory. The “smartplaces”, where active communitieslive, are or were able to organize themselves to design and reach a consensus concerning a projectfor the future. There is no approach to conservation, preservation and enhancement, or new uses ofheritage without assuming a new ethic regarding the natural and urban environment, with new spacesfor reflection to deal environmental issues with coherence, new spaces for working, especially at theregional level, taking into account the singularity of the physical environment, the complexity of energyand natural heritage resources. In the mining heritage, the whole vision is essential for a moreeffective results in the conservation job. It should not be considered a marginal issue but a priority inurban and regional planning. In the "architectural complex" cultural identity is implied, as well asindustrial and cultural landscapes, concerning to mining history, sometimes it is a discontinuous process. It takes centuries with remains and vestiges, and grouping of urban and rural constructions that have an interest in the surroundings. It analyses several Spanish and international experiences,cases and archetypes from regions with significant vestiges of the industrial revolution which illustratethe limits and possibilities of regional development programs, cultural and industrial tourism,museums, civic and social facilities which incite an interrelationship between nature, culture andindustry.
Cite
CITATION STYLE
Álvarez Areces, M. Á. (2010). La herencia industrial y cultural en el paisaje: Patrimonio Industrial, Paisaje y Territorios Inteligentes. Labor e Engenho, 4(1), 78. https://doi.org/10.20396/lobore.v4i1.1690
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