A critical view of Marshall’s Mother Goddess at Mohenjo-Daro

Abstract

There has been a tendency since the time of initial excavation of Mohenjo-daro by John Marshall to apply some familiar notions about early religions to the finds at Harappan sites, so that clay figurines of women found in various domestic structures were taken to represent the seemingly universal ‘Mother Goddess’. We are now learning that bronze-age ‘religions’ could have assumed immensely varied forms of ritual, belief and physical representations. There could have been varieties of shamanistic or other forms of ritual to ward off evil spirits or sources of harm. The female clay figurines were, therefore, likely to have been home-made representations of women of the house kept to ward off evil forces, rather than being idols of the Mother Goddess, as has been so far largely accepted.