Fabulae and imaginatio in gianfrancesco pico’s thought

1Citations
Citations of this article
15Readers
Mendeley users who have this article in their library.

Abstract

In Renaissance philosophy, the term fabula is often used to mean a poetic or fantastic tale that conceals the truth beneath metaphorical language. This article will focus on a rather different concept of fabula found in Gianfrancesco Pico della Mirandola’s works. To the younger Pico, the entire tradition of Greek and Latin poetry is a fabula: that is, a false and immoral narration inspired by demons. In the first part of this article, I will trace the origin of this use of fabula to the early Christian apologists. I will argue that Gianfrancesco’s intention was to build on this idea through an interpretation of ancient thought that differed from the historiographical model of prisca theologia proposed by Marsilio Ficino and Giovanni Pico. In the second part, I will show the close relationship, in Gianfrancesco’s philosophy, between fabula and imaginatio.

Cite

CITATION STYLE

APA

Pappalardo, L. (2019). Fabulae and imaginatio in gianfrancesco pico’s thought. Renaissance and Reformation, 42(4), 61–83. https://doi.org/10.7202/1068575ar

Register to see more suggestions

Mendeley helps you to discover research relevant for your work.

Already have an account?

Save time finding and organizing research with Mendeley

Sign up for free