The Concept of Truth in the Komi Hunting Stories

Abstract

We analyse the Komi hunters' story-telling as the integrated way of knowledge transmission and communicating vernacular beliefs. We intend to demonstrate that although vernacular beliefs regulating hunting story-telling are widespread in the North, local practices enable us to reveal peculiarities of the tradition in a nuanced way. Our study is based on annual collaborative fieldwork trips to the Komi hunters, which began in 1996. During these years, we have recorded tens of hours of hunting stories and background data for the topic. Analysis of this material is based on the concept of vernacular mimetic mode of representation. We revealed that the Komi narrators communicate hunting skills and magical beliefs in the process of story-telling. The notion of “truth” is an important conceptual device that frames the story-telling practice. We discuss the Komi hunting narratives using an interpretation of vernacular ideology that we label the “aesthetics of confusion”. We will argue that in the vernacular understanding of hunting narratives, the Komi have a seemingly ambivalent and fluid, but at the same time strict, approach to the poetics of story-telling.