Abstract
This research explores the phenomenon of analog photography in the digital era. The objective of this study is to define the structure of meaning of analog photography through a phenomenological-hermeneutic approach. Technological advancements and socio-cultural contexts influence the practice and perception of analog photography. The findings yield an understanding that despite the dominance of digital technology, analog photography holds a distinctive, rich, different, and relevant essential meaning in contemporary cultural practices. The automation of digital cameras has taken over many technical capabilities of photographers, leading to self-alienation and the loss of authentic skills in the photographic creative process. Analog photography emphasizes a slower and more manual process, which intensively involves cognitive and motor abilities while offering reflectiveness amidst the speed of the digital era. This study makes a significant contribution to the understanding of the phenomena of analog photography and its implications in the digital era.
Cite
CITATION STYLE
Yurif Setya Darmawan, Yasraf Amir Piliang, Acep Iwan Saidi, & Intan Rizky Mutiaz. (2023). Analog Photography in the Digital Age: Examining Transformation, Alienation and Authenticity in Modern Photographic Practice. Indonesian Journal of Art and Design Studies, 2(3), 217–232. https://doi.org/10.55927/ijads.v2i3.11019
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