Primarily from the point of view of the player, the various aspects of the behavior of the bowed string will be considered: the form of its vibration, the parameters of bow position, velocity, and “pressure”; maximum and minimum pressure and their relationship to tone production, starting conditions, efficiency of the “stick-slip” process as a generator, and effects of stiffness in the string. Some observations of particle velocity made by electromagnetic pickup along the string will be shown, along with measurement of the spectrum; and the recorded sounds evoked by cello strings alone, without the corpus of the instrument, will be compared with those from the normal cello.
CITATION STYLE
Schelleng, J. C. (1969). The Bowed String. The Journal of the Acoustical Society of America, 46(1A_Supplement), 123–123. https://doi.org/10.1121/1.1973430
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