Embodied Mindfulness Through Movement: A Scoping Review of Dance-Based Interventions for Mental Well-Being in Recreational Populations

Abstract

Background/Objectives: Mindfulness has expanded from seated meditation to include embodied practices emphasizing somatic awareness and emotional regulation. Dance offers a creative, accessible pathway to mindfulness, especially in non-clinical settings where movement-based approaches may better support self-regulation, interoception, and well-being. This scoping review investigated empirical studies on dance-based mindfulness interventions targeting non-clinical, amateur and recreational populations. Methods: Six databases (PubMed, PsycINFO, Scopus, ERIC, Web of Science, and Google Scholar) were searched for peer-reviewed studies published between 2010 and 2025. Eligible studies combined dance with mindfulness and somatic movement practices and were conducted with non-professional participants of all ages in non-clinical settings. Study selection, data extraction, and appraisal followed PRISMA-ScR guidelines. Results: Ten empirical studies met the inclusion criteria, spanning diverse populations from primary school children to older adults. Interventions included Dance/Movement Therapy, ballet with yoga, Sufi-inspired group dance, and school- or community-based mindful movement programs. Reported outcomes included improvements in body awareness, emotional regulation, stress reduction, self-compassion, social connection, and overall well-being. A thematic synthesis identified five domains: (1) psychological and emotional outcomes, (2) embodiment and self-compassion, (3) relational and social benefits, (4) feasibility and acceptability, and (5) sustained and preventive effects. Conclusions: Dance-based mindfulness interventions in recreational contexts show promising psychosomatic and emotional benefits. Although the current empirical base is limited and methodologically diverse, this scoping review provides a necessary foundation for understanding this emerging field. There remains a strong need for interventions that are theoretically grounded, culturally sensitive, and pedagogically integrated, particularly within classroom-based dance educational contexts.