The Haitang Incident 2024 and the ugliness of danmei culture/industry

Abstract

The Haitang Incident of 2024 exposed the precariousness of danmei (boys’ love) culture and its creators in China under the dual pressures of state surveillance and platform capitalism. I critically interrogate the Chinese danmei cultural ecology through ugliness – not as a state-imposed stigma but as a critical lens and a generative conceptual tool. Departing from previous scholarship’s binary framings of danmei as either resistance or escapism, ugliness reveals danmei as a site of struggles, where censorship, commercialisation and danmei creators and fans as affective communities entangle in unstable yet persistent ways. I interrogate the precarious position of Haitang Literature City authors, and reveal the ugly convergence of digital governance and economic exploitation. Furthermore, I explore the fragmentation of trust within the danmei community, where fear, survival and mistrust complicate solidarity. Centring ugliness as a productive analytic can move beyond the limitations of binary resistance narratives to better account for danmei culture’s messiness, contradictions and ambivalences.