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This article focuses on how the development of human–computer interaction in music has been aided and influenced by both experimental/academic electroacoustic art music and popular electronic music. These two genres have impacted upon this ever-changing process of evolution in different ways, but have together been paramount to the establishment of interactivity in music as we understand it today; which is itself having wide-ranging implications upon the modern-day musical landscape as a whole—both in the way that we, as listeners and audience members, purchase and consume music as well as conceptualise and think about it.
Meikle, G. (2016). Examining the Effects of Experimental/Academic Electroacoustic and Popular Electronic Musics on the Evolution and Development of Human–Computer Interaction in Music. Contemporary Music Review, 35(2), 224–241. https://doi.org/10.1080/07494467.2016.1221634