Abstract
Music, considered as a field of discourse, has important implications for how educators think and act within their classrooms. Based on the work of Ruben Gaztambide-Fernan-dez, Murray R. Schafer, and feminist music education scholars, this paper aims to delin-eate these implications and to propose "sound education" as an alternative. Instead of traditional Music-centered focuses on "appreciation" and "musicianship," "sound educa-tion" proposes "listening" and "sound-making" as alternatives. Gaztambide-Fernandez's notion of "cultural production" and Steven Feld's "acoustemology" provide conceptual bases that ground these alternatives in ways which center on symbolic work and social interactions, while allowing for a broad understanding of relationality within ecologies of human and non-human entities.
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CITATION STYLE
Recharte, M. (2019). De-centering Music: A “sound education.” Action, Criticism, and Theory for Music Education, 18(1), 68–88. https://doi.org/10.22176/act18.1.68
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