De-centering Music: A “sound education”

  • Recharte M
N/ACitations
Citations of this article
19Readers
Mendeley users who have this article in their library.

Abstract

Music, considered as a field of discourse, has important implications for how educators think and act within their classrooms. Based on the work of Ruben Gaztambide-Fernan-dez, Murray R. Schafer, and feminist music education scholars, this paper aims to delin-eate these implications and to propose "sound education" as an alternative. Instead of traditional Music-centered focuses on "appreciation" and "musicianship," "sound educa-tion" proposes "listening" and "sound-making" as alternatives. Gaztambide-Fernandez's notion of "cultural production" and Steven Feld's "acoustemology" provide conceptual bases that ground these alternatives in ways which center on symbolic work and social interactions, while allowing for a broad understanding of relationality within ecologies of human and non-human entities.

Cite

CITATION STYLE

APA

Recharte, M. (2019). De-centering Music: A “sound education.” Action, Criticism, and Theory for Music Education, 18(1), 68–88. https://doi.org/10.22176/act18.1.68

Register to see more suggestions

Mendeley helps you to discover research relevant for your work.

Already have an account?

Save time finding and organizing research with Mendeley

Sign up for free