Intersectional Feminism in Irene Salami’s Sweet Revenge

Abstract

Feminism has become a major topic of discussion and research in African drama over the years. Playwrights as well as critics have written numerous works on different aspects of feminism in Africa, Irene Salami’s Sweet Revenge. But the burden of the African feminist ideology and the different ways it is reflected in the African feminist dramatic texts (the different dimensions of feminism) have not gotten the needed critical attention. This caught the attention of the current study. The study used a literary qualitative and analytical approach, with the primary play texts chosen for the study being critically analysed using feminism as the guiding theory. The study concludes that the play chosen for the study is a feminist text because it deals with the burden of the woman. Beyond this portrayal, the play deals with the place of women and their responses in different ways, thereby attending to the different strands of feminism. The study concludes that the only way to wholly appreciate the play is by connecting the various strands of feminism in their appreciation. The study recommends that there are new emerging approaches to feminism, such as "burial feminism," “snail sense feminism and that these approaches should be studied alongside the existing strands using intersectionalism.