Fashion and Feminism: A Theoretical and Historical Background

Abstract

The study explores the relationship between fashion and feminism. Throughout history, fashion has been considered as a mechanism of oppression, focusing on the historical role of restrictive garments such as corsets in the objectification of women due to patriarchal influence and societal norms. In the context of corsetry, the paper traces the origins of these garments and their role in physically and metaphorically constraining women to fit into the narrow and idealized standards of beauty dictated by patriarchal societies. It delves into how these oppressive clothing items have been portrayed in literary texts, highlighting the struggles of female protagonists against societal constraints. The study further examines how the feminist movement has actively challenged and rejected these restrictive garments, defying norms and advocating for women's autonomy in clothing choices. The analysis of literary works from various eras reveals how authors have captured and critiqued the oppressive nature of these garments, exposing the damaging effects on women's physical well-being. The study further explores the performative aspects of fashion within the context of patriarchy, drawing upon Judith Butler's theory of performativity to critically analyze the ways in which gender is constructed and reinforced through clothing. The study then delves into the contemporary portrayal of clothing as a means of empowerment and autonomy for women, with  focus on  chick lit genre. It discusses how authors within this genre have utilized fashion as a form of self-expression, empowerment, and agency.