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The Field of Musical Improvisation

  • Cobussen M
  • Frisk H
  • Weijland B
Konturen (2010) 2(1) 168
DOI: 10.5399/uo/konturen.2.1.1356
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Abstract

In this essay the first initiatives are presented to come to a new theoretical approach of musical improvisation. The main idea is to regard musical improvisation as a nonlinear dynamical system in which various (f)actors interact and connect in complex ways. In other words, the Field of Musical Improvisation (FMI) has no stable or strict identity.

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Cobussen, M., Frisk, H., & Weijland, B. (2010). The Field of Musical Improvisation. Konturen, 2(1), 168. https://doi.org/10.5399/uo/konturen.2.1.1356

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