Abstract
This study explored eight secondary school participants’ subjective experiences of Dance Movement Psychotherapy [DMP], and how these perceptions relate to prior expectations and/or perceived outcomes from the therapy. How pupils and staff experience psychotherapeutic provision is of particular importance to engagement and process, with implications for therapeutic outcomes and – accordingly – the success and proliferation of such services within educational settings. A qualitative methodology based on Interpretative Phenomenological Analysis was utilised to explore these topics from the phenomenological lived experience of three pupil-clients and five staff involved. Experiences of ‘unexpected empowerment’ were most prominent along with related subthemes, and a differing notion of ‘External Contingency’ and its subthemes. Where clients did not expect to be provided with structured solutions or advice, their experiences of unexpected empowerment optimised the insight-based aspects of DMP. Alternatively, for a client anticipating a process resembling being led in a solution-oriented ‘package’, the client found it difficult to overcome dependency on – and seeking from – external influences as a resolution for subjective wellbeing. These results are discussed in the context of creative psychotherapies and wider social structures.
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Parsons, A., & Dubrow-Marshall, L. (2019). “I’m able to put my thoughts into picturing them physically” - Phenomenological experiences of Dance Movement Psychotherapy in a Secondary School: Unexpected empowerment over external contingency. Arts in Psychotherapy, 64, 1–8. https://doi.org/10.1016/j.aip.2019.05.005
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