Hantu Topeng Kelono, Hantu Burung Kasuari, dan Hantu Ngung Ngung Ngung Cakcakcak: Tiga Hantu Tari yang Bergentayangan dalam Sejarah Kebudayaan Nasional

Abstract

This paper performs a re-reading of three dances by Indonesian artists by using the metaphor of ghost as its conceptual framework. The paper aims at presenting a critique to the construction of national cultural identity in the period between the 1940s until the 1970s …