Abstract
Focused on the visual representations of Sor Juana Inés de la Cruz, this paper refl ects on the relationship between the Baroque of the Indies aesthetics and their context o production. Based on the above coordinates, it reviews the nun's work and the epistolary orientation that her poems acquire as a form of escape from the convent and habit.
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APA
Martínez, L. Á. (2012). La celda, el hábito y la evasión epistolar en Sor Juana Inés de la Cruz. Revista Chilena de Literatura, (81), 69–89. https://doi.org/10.4067/S0718-22952012000100004
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