Semiotic analysis of sign systems of yelets lace in the beginning of the XIX century

Abstract

The purpose of this work is to explore the sign systems of the Yelets lace in the beginning of the XIX century as part of the multi-functional edge semiotic system, to identify and analyse social code contained therein. The relevance of the topic is chosen because currently Yelets lace from developed fishing turns into home crafts, hobbies and gradually disappears from industrial production, retaining only small enterprises. In these circumstances, it is necessary to examine, record, preserve, and promote for future generations cultural traditions reflected in Yelets lace. To achieve this goal have been used philosophical-cultural and cultural-historical approach, cultural and anthropological methodology, and art techniques. The empirical base of the research includes Yelets lace patterns found in the collections of museums and private collections, as well as visual sources available on paper (photographs in books, catalogues and brochures).The work contains the first attempt to classify patterns Yelets multipair bobbin lace late XVIII - early XIX century. Particular attention is paid to the semiotic analysis of three groups of patterns characteristic of multi-pair lace the period under review: geometric, fine, and floral ornaments. The conclusion is that the semiotic status of Yelets lace was high, it was perceived as a sign symbolizing ethnographic, historical, or social and living processes. The results can be used by specialists in the field of folk arts and crafts, museum staff, teachers and students of specialized educational institutions.