Abstract
This paper examines how short-short stories published on social media platforms such as Facebook and Twitter experiment with brevity. It examines the use of devices such as planned spaces between words, colors, and enjambments, a genre called twitter fiction, to deliver the literary aftertaste of `byte-sized' fiction. What are the ramifications, requirements, and results of this form of brevity? Since the works are written and published on/for the digital media, what other aids supplement the reading process, if any? What forms of innovation does this conciseness allow? Two platforms of reading and writing short-short stories (of 140 characters or less) will be used to examine these questions: Terribly Tiny Tales on Faceboo k and Very Short Story (@veryshortstory) on Twitter
Cite
CITATION STYLE
Singh, R. (2017). Based on Brevity: Fiction in 140 Characters or Less. [Sic] - a Journal of Literature, Culture and Literary Translation, (1.7). https://doi.org/10.15291/sic/1.7.lc.7
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