Some like it hot

Abstract

The first time I heard Javier de Lucas talk about foreigners and migration with the excuse of talking about Blade Runner (or vice versa), I thought one had to use a lot of imagination, but I could only say that to Mario Ruiz. His proposal worked very well, because Javier is an expert in cinema, migration and law, and he was capable of performing that magic. I am going to stay in a much more evident relationship exercise. I propose to clarify concepts and discuss cisheteronormativity with Billy Wilder's Some Like it Hot (1959).