Abstract
Ventriloquism is marked by an antagonistic intimacy between the ventriloquist and dummy, an antagonism that is rooted in the mechanics of the form. British ventriloquist Nina Conti brings the inherent violence of the ventriloquial conceit to bear on scenes we typically do not think of as contests for naturalized animacy: Therapy and pregnancy.
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CITATION STYLE
APA
Fenley, M. (2024). Ventriloquism’s Faulty Mechanics. TDR - The Drama Review - A Journal of Performance Studies, 68(4), 26–47. https://doi.org/10.1017/S1054204324000376
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