You are in a place that is out of the world.: Music in the detention camps of the global war on terror

Abstract

Based on first-person accounts of interrogators and former detainees as well as unclassified military documents, this article outlines the variety of ways that loud music has been used in the detention camps of the United States global war on terror. A survey of practices at Bagram Air Force Base, Afghanistan; Camp Nama (Baghdad), Iraq; Forward Operating Base Tiger (Al-Qaim), Iraq; Mosul Air Force Base, Iraq; Guantnamo, Cuba; Camp Cropper (Baghdad), Iraq; and at the dark prisons from 2002 to 2006 reveals that the use of loud music was a standard, openly acknowledged component of harsh interrogation. Such music was understood to be one medium of the approach known as futility in both the 1992 and the 2006 editions of the US Army's field manual for interrogation. The purpose of such futility techniques as loud music and gender coercion is to persuade a detainee that resistance to interrogation is futile, yet the military establishment itself teaches techniques by which the music program can be resisted. The article concludes with the first-person account of a young US citizen, working in Baghdad as a contractor, who endured military detention and the music program for ninety-seven days in mid-2006a man who knew how to resist. © 2008 The Society for American Music.