Music perception

  • Deutsch D
N/ACitations
Citations of this article
41Readers
Mendeley users who have this article in their library.
Get full text

Abstract

The state of knowledge in several areas of music perception will be reviewed. Topics to be covered include principles of organization and grouping, tonal shape analyzing mechanisms, rhythm, and tempo, the role of memory, and the perception of instrumental timbre. The field as a whole is currently undergoing rapid expansion. This is due in large part to recent technological advances which have facilitated the generation of complex auditory stimuli with precisely controlled parameters. Given the developing interest among scientists, music theorists, who have traditionally been rationalistic in their approach, are also turning their attention to empirical issues. Thus, we see emerging a new and strong interaction between musical acoustics on the one hand and music theory on the other. It is expected that considerable advances will be made in the understanding of music perception over the next decade.

Cite

CITATION STYLE

APA

Deutsch, D. (1979). Music perception. The Journal of the Acoustical Society of America, 65(S1), S92–S93. https://doi.org/10.1121/1.2017516

Register to see more suggestions

Mendeley helps you to discover research relevant for your work.

Already have an account?

Save time finding and organizing research with Mendeley

Sign up for free