Topology of the Closet

Abstract

Despite the closet’s centrality to queer culture and theory, the metaphor’s various meanings have yet to be disaggregated and defined. Following Eve Kosofsky Sedgwick’s identification of the closet with a “crisis of homo/heterosexual definition, indicatively male, dating from the end of the nineteenth century,” the present article uses an array of late-Victorian sources—especially The Memoirs of John Addington Symonds and Teleny, a pornographic novel sometimes attributed to Oscar Wilde—to describe and distinguish: (1) so-called latent homosexuality (“the unconscious closet”); (2) deliberate strategies of suppression, abstention, and reformation (“the conscious closet”); (3) clandestine pursuits of gay sex and sociability (“the double life”); and (4) performances of a heterosexual persona (“the mask”). This article’s sources further attest to the late-Victorian advent of “closet consciousness”—a recognition among certain homosexually-inclined men that the closet’s multiple modalities, for all their variety, are phenomenologically and ideologically linked.