Abstract
On another wooden table across from Lost II, French dancer and choreographer Vincent Dunoyer, invited by De Bruyckere and the Vehbi Koç Foundation to participate in "The Wound," repeated his performance Loan, 2012, every day at regular intervals during the exhibition; it was a gende homage, a somber salute to the dead animal.
Cite
CITATION STYLE
APA
Dommergue, B. (2020). Berlinde De Bruyckere. Critique d’art. https://doi.org/10.4000/critiquedart.17658
Register to see more suggestions
Mendeley helps you to discover research relevant for your work.
Already have an account? Sign in
Sign up for free