Reflections on immersion and interaction

Abstract

Non zero one discuss their and others’ approaches and attitudes towards interactive and immersive theatre. The company considers key definitions such as ‘site-specific’ and ‘site-responsive’ and ‘interactive’ and ‘immersive’, proposing the benefits of offering choice and agency to participants in performance. Using examples from their own work at the National Theatre, Bush Theatre, and Edinburgh Fringe, they discuss the ethics of interaction, including control, exploitation, and personal boundaries. Considering notions of ‘good’ and ‘bad’ stimuli for interaction, the company articulate the goal of finding a balance between dramatic, structured narrative, chance, and play.