Cultural performance and the reconstruction of tradition among the Bunun of Taiwan

Abstract

This article aims to understand the meanings and impact of the reconstruction of tradition and the objectification of culture among the Bunun, an Austronesian-speaking indigenous people of Taiwan. It situates the revival of tradition in the contexts of state appropriation and the development of ethnic tourism, and shows how the Bunun attempt to control their relationship with the state and the dominant society by reconstituting tradition in the present. The culturally specific ways in which the Bunun sustain local identity and sociality by reproducing their concept of personhood are highlighted. In doing so, I seek to move the analysis beyond the use of reified tradition as a political and identity symbol to address the broader theoretical concern of understanding tradition as a culturally specific mode of change.