Becoming others

Abstract

By revisiting Gilles Deleuze's notion of the virtual, this work examines what the virtual world means for our identity and intimacy. We sketch three effects of the virtual world: 1) the complete disintegration of public-private boundary; 2) the emerging performativity of virtual identities; 3) the destabilization of our ontology. From public life to multiplayer online role-playing games, we show the changing meaning of play in various contexts: performing, acting, and becoming. Following Richard Sennett's dramaturgical perspective of the public Man, we see people proactively perform the image to construct the real-world identity. Then in the video games, players choose a virtual identity to act in the game world, transforming it into a liminal space where continued identity transitions become possible. We analyze several cases, including Otherkin and Otaku subculture, to argue that virtual identity and community can bring ontological indeterminacy and propose a program that coexists with otherness.