How to design and build new musical interfaces

0Citations
Citations of this article
12Readers
Mendeley users who have this article in their library.

This article is free to access.

Abstract

This half day course introduces the field of musical interface design and implementation. Participants will learn and practice key aspects of the theory and practice of designing original interactive music technology with case studies including augmented and sensor based instruments, audio-visual instruments, mobile, and networked music making. Digital technologies offer powerful opportunities for the creation and manipulation of sound, however the flexibility of these technologies implies a confusing array of choices for musical composers and performers. Some artists have faced this challenge by using computers directly to create new musical forms. However, most would agree the computer is not a musical instrument, in the same sense as traditional instruments, and it is natural to ask’how to play the computer’ in a way appropriate to human brains and bodies. To attempt to answer this question in the course, we draw from the International Conference on New Interfaces for Musical Expression (NIME) [1,2], which began as a workshop of CHI 2001 [3] and explore connections with the established field of human-computer interaction.

Cite

CITATION STYLE

APA

Fels, S., & Lyons, M. (2015). How to design and build new musical interfaces. In Lecture Notes in Computer Science (including subseries Lecture Notes in Artificial Intelligence and Lecture Notes in Bioinformatics) (Vol. 9299, pp. 642–643). Springer Verlag. https://doi.org/10.1007/978-3-319-22723-8_83

Register to see more suggestions

Mendeley helps you to discover research relevant for your work.

Already have an account?

Save time finding and organizing research with Mendeley

Sign up for free