La poética del cine y la cuestión del método en el análisis fílmico

Abstract

This article argues on the necessity and the opportunity of considerations on questions of method, conceming the procedures of film analysis. We examine the reasons why the instance of film analysis, considered as a social field, are usually so suspicious about the methodological standpoints demanded for such an analytical job. Following that point, this article defends that the methodological questions posed here are inevitable, and fruitful, and still that they would be a part of the theoretical perspectives of film analysis. These methodological observations would be of some help in drawing an analytical altemative towards a hermeneutical view of movies, departing from the idea of a poetics of film