O sertão dilacerado: Outras histórias de Deus e o Diabo na terra do sol

Abstract

This article tries to understand how one of the most important narratives of the national cinema - Glauber Rocha's Black God, white devil (1963) - has constructed the sertão (hinterland), which images and figures he has employed, and how that hinterland delineates and projects the country. © 2009 CEDEC.