Abstract
This article tries to understand how one of the most important narratives of the national cinema - Glauber Rocha's Black God, white devil (1963) - has constructed the sertão (hinterland), which images and figures he has employed, and how that hinterland delineates and projects the country. © 2009 CEDEC.
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APA
Pereira, P. P. G. (2008). O sertão dilacerado: Outras histórias de Deus e o Diabo na terra do sol. Lua Nova, (74), 11–34. https://doi.org/10.1590/S0102-64452008000200002
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