The Living Process of Conserving Performance: Theory and Practice in the Conservation of Performance-Based Artworks at Tate

Abstract

The development of the documentation and conservation of performance-based artworks has been a key priority for Tate’s Conservation department. The rise in complexity of the relationship between the institution and the artworks entering the collection prompted the development of current practices relating to the documentation and conservation of performance within the time-based media conservation team. This chapter explores the development of the current documentation strategies for the conservation of performance at Tate, by highlighting not only the impact of collecting practices in the development of knowledge, but also how the process results on the creation of both theoretical and practical forms of practice. The chapter will focus on the development of core documentation tools and theoretical models for understanding performance art and how it relates to the museum.