Inanimate speech from lovecraft to žižek

1Citations
Citations of this article
12Readers
Mendeley users who have this article in their library.

Abstract

In his article "Inanimate Speech from Lovecraft to Žižek" Apple Z. Igrek explores an influential line of reasoning associated with our contemporary loss of the Real. The argument describes how the contingencies and nuances of social life have been reduced to an operational, friction-free, and homogeneous realm of signs. Slavoj Z ̌iz ̌ek contends that our inherently traumatic relationship with the Other is being foreclosed and replaced by an omnipresent technological screen of virtual communication. The danger of this shift, identified as the "digital break", is that it facilitates an extraordinary form of divine violence which strikes back at the social system originally intended to eradicate all things abnormal and destructive. Drawing on H.P. Lovecraft's horror fiction, Igrek proposes another way of thinking through these interrelated motifs of technology, fear, social media, and abject otherness. Instead of presuming a virtual demarcation between radical ambivalence and its all-encompassing, catastrophic assimilation, Igrek suggests that the predominant conceptualization of this so-called rupture is fraught with inconsistencies. © Purdue University.

Cite

CITATION STYLE

APA

Igrek, A. Z. (2011). Inanimate speech from lovecraft to žižek. CLCWeb - Comparative Literature and Culture, 13(4), 1–9. https://doi.org/10.7771/1481-4374.1781

Register to see more suggestions

Mendeley helps you to discover research relevant for your work.

Already have an account?

Save time finding and organizing research with Mendeley

Sign up for free