The new versus true woman in charlotte perkins gilman’s the yellow wallpaper and ellen glasgow’s dare’s gift

Abstract

Given their opposition to Victorian conceptions of womanhood and domesticity, the literary works of Gilman and Glasgow have been a rallying point for women's emancipation and empowerment. Though the article touches upon several works by Gilman and Glasgow, it focuses particularly on the feminist viewpoints underpinning the transformation of female characters in Gilman’s The Yellow Wallpaper and Glasgow’s Dare’s Gift from true to new women. The purpose of both tales, the article contends, is to question and deconstruct the dominant Victorian patriarchal cult of true womanhood, which has confined women to the domestic sphere and constrained their freedoms and liberties The theoretical foundation for the examination of the two stories is laid out in the Introduction, which contrastively explores the conflicting paradigms of new and true womanhoods. The Discussion delves into the many reactions to the characters' defiant behavior, as well as the phallocentric interpretation of it.