Harmonic, syntactic, and motivic parameters of phrase in hip-hop

Abstract

This article builds on existing scholarship, both in art music and in popular music, to craft a conception of "phrase" in hip-hop. After briefly contextualizing my ideas, I describe in detail three parameters that can define hip-hop phrases: harmony, syntax, and motive, with examples of each. I then present two in-depth analyses of verses showing how these parameters interact with one another. Finally, I address the necessity and advantages of applying "phrase" to this repertoire.